Over the past few weeks, I've endeavored to share what I
have learned in writing regimental histories. As you probably know, I've
written two, one on the 37th NCT (ANV) and one on the 58th NCT (A of T). Both of
these received several good reviews. And
right now, I am working on my first brigade-level history. In many ways, it is
harder. I now have five regiments to keep up with, instead of just one. It has
been my hope through this blog series to help you realize the amount of
background work that goes into the process, and maybe inspire one or two folks
to try their own hands at writing regimental histories.
So, supposedly you decide to write a regimental history.
First, make sure no one has written about that regiment in the past twenty or
thirty years. If they have, it will be hard to pitch it to a publisher. We'll
talk more about that in a minute.
I'll not comment much on the actual writing process. When
you write and how you do it is up to you. However, I will make these two
observations. Back up frequently. Go
invest in some type of external hard drive - if something happens to your main
computer, you'll be glad that you did (I learned this the hard way). Second,
notes, like end notes or footnotes, are mandatory!!! We readers want to know
where you got your information. A regimental history without these tools is
worthless. If you cannot take the time to document what you are dong, please do
not even start. Personally, I create a note for almost every paragraph that I
write. And, I create the note while I am writing the text. I simply stick the documentation
in brackets at the end of each paragraph. Right before the book goes to the
publisher, I go back and take the information that is in brackets, assign the
note a number, and drop the note into a separate document. Once I have all of
that done, I copy the document and drop it into the end of the manuscript.
At some point in the writing process, you'll need to start
thinking about a publisher. You can either go a traditional route with a "real"
publisher, or you can publish it yourself through a Print on Demand (POD)
company. The traditional publisher offers some advantages, like catalogs that
go to libraries and the ability to get your book into distribution companies
that serve places like Barnes and Noble. They will also do the set up and
provide some level of editing and proofreading. They should also send out
review copies, and might occasionally run an ad in one of the glossy magazines.
All of that sounds great - except, there are very few publishers who will want
to publish a regimental history. These types of books have small interest among
readers, and many publishers will shy away from publishing them. Another
problem is that most traditional publishers only pay authors 10% royalties on the
price for which they sell the book. If your book has a $21.99 list price, then
the wholesale price is $13.20. You as the author make $1.30 per book sold at
Barnes and Nobles. Most publishers will
sell you the same book for 40 percent of the list price, meaning you now make
more $$$ (but you usually only get the 40 percent if you buy in bulk).
Considering that you will need to do the majority of the work
when it comes to marketing and selling your book, PODs can be an alternative. (In the publishing workshops that I have
taught, I tell folks that writing and publishing a book is the easy part;
selling is the hard part!) A disclaimer - while I have used PODs on a couple of
small projects, I have never tried to POD a regimental history. With POD
publishers, you can either do all of the work (layout, covers) yourself, and
upload it to the company, or, you can purchase a packaged deal that will design
and layout the book for you. Most PODs sell from their own storefronts, and
most PODs will get your book listed on Amazon. Unlike the old vanity presses,
you can order one book from a POD company, or you can order 1,000 books from a
POD company. And you can order at any time. In the long run, you will make more
money, but you also have to send out your own review copies and do your own
marketing. The problem that almost every
reviewer has with POD book is poor proofreading, or the lack of editorial
services.
So I guess this leads me to my final point in this series.
Regardless of whether you choice a traditional press or a POD, you need
readers. You need someone who will read the entire manuscript and give you an
honest opinion about the work. It is best to use friends, and not family. Your
mom is probably going to think the whole thing is wonderful. A reviewer well
versed in the war is going to nail you on having the battle of Gettysburg in
1683 instead of 1863 or a prominent general's name spelled wrong (is it Breckinridge
or Breckenridge?). A good reader will
help you catch silly typos created at the whim of the spell checker, like the nefarious
bridge/brigade trap, and will tell you if there are parts of the manuscript
that simply do not make sense. I always ask my readers to make sure it make
sense - it all makes sense in my head. I've lived with certain projects for
years, and I'm able to make leaps of logic because I see the story before (and
as I am) writing it. Sometimes, you might want to approach other historians who
are experts on certain battles or campaigns and ask them to read portions of
the book. This type of feedback is critical. And finally, especially if you
chose the POD route, you need to have someone (or maybe two someones) read the
manuscript for grammar. Personally, I
always want someone to catch something that is wrong, or not clear, or wordy before
it goes out into the general public. After finishing a manuscript, I always try
and let it sit for a week or two or three and then go back, print it out, and
re-read it, often out loud. It is amazing what you can catch.
Well, I guess that is about it. Maybe, as I work on the
Branch-Lane project, I will discover some other tidbits that I can share.
Happy research and writing!